Inventions is a title apropos for one in pursuit of new musical expression. Kris Becker is an award-winning composer, virtuoso classical pianist, and an established blues keyboardist. What emerges on this program of original music is as varied as his interests. The CD begins with two pop songs complete with hooks, driving drums, and searing guitar lines (Paul Chester). The voice carrying the melodies is none other than Becker himself. He then wanders into the back room of a jazz club for two swinging romps. After that, it’s a tour de force of classical music. Somehow these transitions do not produce the non-sequiturs they seem to imply.
The opening four rock and jazz numbers on what’s primarily a classical piano CD will either annoy or delight listeners, depending on their expectations. He could easily devote an entire CD to either style, but here it’s just a reminder that he can successfully perform and write in genres outside the domain of classical music.
The classical portion of the program kicks off with “Four Curiosities”, an electrifying set of solo piano music. This work earned Becker a Finalist spot in the Morton Gould Young Composers competition a few years ago. The vitality of this set, particularly its closer, “Groovin’”, owes much to the phenomenal pianism of its composer. I would love to see the score to these pieces.
The six “Inventions”, obviously an homage to J.S. Bach, pick up perhaps where the master left off over 300 years ago. You hear the counterpoint and melodic lines, which switch from one voice to another, all clearly executed in a stream of eighth notes and ornamentation. Where Becker’s Inventions vary from the source is in sonority. Each is labeled with the modes of modern convention — works that highlight Lydian and Dorian obviously have 20th century inspiration.
Becker leaves the Baroque behind for the next set of six compositions. “Postludes” with its ostinatos and modern harmonies defines his compositional voice most clearly. His penchant for driving, rhythmic pianism shines most brightly here too (case in point: “The Rhythm Express”). He follows this with the Barber-esque “Passing Thoughts”, a dense jungle of chords that reveal a haunting melody. ”Foibles…” has a touch of Gerswhin. You hear so much of his influence, but it still manages to have a voice of its own.
Finally the “Variations…” give insight into the power of taking one idea and mutating it repeatedly. A theme with variation has a long tradition in classical music. It showcases the mettle of a composer while providing a reference for the listener throughout. It also requires a rather substantial amount of pianism to sell the package. Throughout not only these 13 pieces, but the the entire 35 track program, Becker leaves little doubt as to his ability to do just that.
Inventions provides a glimpse into the mind of this dazzling talent. It’s also just a darned nice set of music.
Online:
